![]() There is one word in The Red Turtle, but its isolation amongst the loud non-language of the rest of the film-the ever-present, somnambulant waves the fauna of the film’s tiny “deserted” island Laurent Perez del Mar’s score, which itself feels tuned to the natural rhythm of the world emerging within Michaël Dudok de Wit’s animated film-makes us question if it is actually a word at all. Wordless, The Red Turtle is an attempt to find new ways to communicate old truths-or old new ways, ways that feel new but aren’t. The apocalypse has never felt so immersive. Yet, despite all of Cuarón’s technical bravura, what remains long after Children of Men’s ended is its refusal to resolve Theo’s journey, to ascribe to what he’s accomplished any hope, hopeful that there is still time, but hopeless that there’s anything left we can do. Theo’s odyssey takes him through the last vestiges of a broken world, director Alfonso Cuarón staging terrible spectacles-an assault on a car, a nightmarish refugee camp, a wartorn urban battlefield-often in long takes (or digitally edited to appear as long takes) and weighted with unbelievably visceral stakes. Cynical and cornered by death at every turn, Theo can’t help but assist his estranged ex wife (Julianne Moore), taking on the protection of Kee (Clare Hope-Ashitey), a Virgin Mary figure and the last known pregnant woman on Earth. In 2027, beleaguered former activist and current bureaucrat, Theo (Clive Owen), wanders amongst the increasing civil unrest fueled by British armed forces clamping down on refugees fleeing the rest of the world’s civilizational decline. We remember the dread most-the sense of relentless, inevitable doom, from its literally explosive opening moments to its breathlessly ambiguous final seconds, the whole of Children of Men shot through with dismal grayscale, as if the human race were still coming to terms with its combustion though everyone waded through the ashes. Stars: Clive Owen, Julianne Moore, Michael Caine Also recommended: The 1990 remake of this film by Tom Savini, which is unfairly derided just for being a faithful remake. But in terms of entertainment value, Romero would perfect the genre in his next few efforts. It’s a horror film that is a MUST SEE for every student of the genre, which is easy, considering that the film actually remains in the public domain. Duane Jones more than makes up for that as the heroic Ben, however, in a story that is very self-sufficient and provincial-just one small group of people in a house, with no real thought to the wider world. The story conventions are classic and the black-and-white cinematography still looks excellent, but some of the performances are downright irritating, particularly that of Judith O’Dea as Barbara. The question is more accurately, “how does it hold up today?”, and the answer is “okay.” Unlike, say Dawn of the Dead, Night is pretty placid most of the time. It’s not really necessary to delve into how influential George Romero’s first zombie film has been to the genre and horror itself-it’s one of the most important horror movies ever made, and one of the most important independent films as well. Here are the 20 best movies on Starz right now: Needless to say, we’re fans, so here at Paste we want to highlight the many wonderful movies Starz has to offer at the moment. HBO may have the prestige, but Starz has the much-better-curated lineup of flicks.įrom recent hits like The Father to underrated classics-not to mention a bundle of ‘80s comedies and a classic coterie of Westerns-Starz continues to build a cinematic library to easily rival services like Netflix and Hulu. Starz continues to fly under the radar among its bigger premium cable and streaming competitors, but the channel (that many add onto Amazon accounts for extra offerings) has amassed a slew of movies available to its subscribers.
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